We all know how the works of giant artists can inspire how aspiring artists work as well. Our general impression of Harajuku’s street style scene in 2017 is that it’s noticeably stronger than it was in 2016. Some are high school college students who’ve reached an age where their dad and mom feel comfortable with them hanging around Harajuku on their own, and another group have moved to Tokyo from their hometowns all over Japan for work, faculty, or different causes.
A number of underground designers found right here similar to Balmung and Hatra are extremely respected within the Japanese vogue scene for their high tier conceptual work, no matter inspiration or subculture label. In addition to goth, bondage, and punk galore, Gosha and Vetements influence is felt strongly here as nicely — especially in their choice of young Korean streetwear designers.
These are just a few of the various things shaping the Japanese avenue vogue scene during the last year. Judging by the whole lot we’ve seen in the final year, we do not anticipate Korean trend and music’s presence in the Japanese road fashion scene fading away anytime quickly.
Forty-seven years later, Okawa is still Milk’s designer — and both the model and shop remain widespread with today’s Harajuku children. The colours and patterns are vivid, giving its adherents a bolder look than beforehand popular pastel road types.
Fashion manufacturers and Harajuku boutiques that developed round these now-fading subcultures have additionally, sadly but not surprisingly, been closing. Tokyo has always been home to a small group of high stage conceptual male fashionistas who wear gender neutral skirts by the likes of Comme Des Garcons, Yohji, or Junya.